The stupendous success of Bahubali injected confidence in the more risk-taking southern film industries. While a lot of multilinguals are on the anvil, director Prashanth Neel’s KGF (Kolar Gold Fields) opened in five languages this week. Starring Yash in the lead with a large ensemble, the movie was primarily shot in Kannada, making it Kannada Film Industry’s biggest moment in the limelight. But, does only scale and magnitude make up for the lack of emotional connect? Does mounting a movie with a big budget, make it appealing to audiences across India? Most certainly not!
As I mentioned, the beginning looks quite like Gangs of Wasseypur, with the mines, the birth of a kid and the thirst for power and might. But what Anurag Kashyap and Akhilesh Jaiswal achieved in a real setting with layered characters, is lost in the blood and gore of KGF. For the first one and half hours, the movie runs in quick shots with a narrator (Anant Nag) revering the invincible Rocky. Most of the story is explained through montage shots and the movie slows to normal pace only for the blood-laden fight sequences. Essentially, it is a series of 2-minute long montage shots followed by a 10-minute long fight sequence. And the cycle repeats. The director and writer, Prashanth Neel, does not give the audience enough time to connect with the characters. It is more engaging in the second half, when the narrative thankfully slows down and starts to build a story. Since the narrative does not let the audience understand the dozen-odd characters in the first half, it ends up an as incoherent mess.